
Discovered Treasures
Sony Classical: SK 48093
Domenico Scarlatti
1. Sonata in G major, K.547 (L.S28)
2. Sonata in B minor, K.197 (L.147)
3. Sonata in F-sharp minor, K.24 (L.481)
4. Sonata in D minor, K.52 (L.267)
5. Sonata in G major, K.201 (L.129)
6. Sonata in C minor, K.303 (L.9)Johann Sebastian Bach/Ferrucio Busoni
7. Chorale Prelude: Ich ruf' zu dir, Herr Jesu ChristMuzio Clementi
8. Rondo from the Sonata in E-flat major, Op.12 No.2
9. Adagio sostenuto in F major (Book I, No.14 from Gradus ad Parnassum)
10. Rondo from the Sonata in B-flat major, Op.25 No.3
11. Adagio from the Sonata in A major, Op.50 No.1Frederic Chopin
12. Nouvelle Etude No.2 in A-flat major
13. Etude in E-flat minor, Op.10 No.6
14. Prelude in D-flat major, Op.28 No.15 (Raindrop)Nicolai Medtner
15. Fairy Tale in A major, Op.51 No.3Alexander Scriabin
16. Feuillet d'album, Op.58
17. Etude, Op.65 No.3Franz Liszt
18. Consolation No.2 in E major
Discovered Treasures
The material for this album was recorded from 1962-1972, but not released until
1992. Horowitz was a perfectionist when it came to programming albums and
recitals, and generally recorded more than was needed for an album--this CD
contains the extra material. The performances are uniformly outstanding.
Each of the six Scarlatti Sonatas are performed with Horowitz' usual clarity,
technical prowess, and charm. Horowitz "floats" the theme of the
Bach-Busoni Chorale Prelude in a way few other pianists can match.
The four Clementi Sonata movements one again reestablish Horowitz as the
greatest advocate of Clementi of his time. Especially noteworthy here is the
E-flat rondo, tossed off with brilliant virtuosity while remaining true to the
spirit of the composition.
Horowitz recorded more of Chopin's music than that of any other composer, so the
additions to Horowitz' Chopin discography are truly icing on the cake here. The
well known "Raindrop" Prelude is played on a larger scale than
usual--the rain threatens to become a thunderstorm! The late Etude is a miracle
of chord voicing, while the earlier Etude proves that one does not have to drown
the work in a haze of pedal to achieve a legato effect.
With the Scriabin, we reach the climax of the album. The Album Leaf exudes a
steamy vagueness, while the Etude in Fifths will set your nerves aflame (the
last octave run sounds like the Horowitz of the 1940s).
Both longtime Horowitz fans and newcomers to his art would do well to have this
album in their collection.
© Hank Drake
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Copyright © 2002 Christian Johansson